Neil Landstrumm is an inspiration to us all. 20-plus years into his music career, he's still all about precisely the raw, gut-shaking warehouse techno he started out doing. In fact, if anything, he's only got rawer and more belligerent in his delivery.

Sure, he may have brought in the occasional influence from grime, dubstep, bassline, funk, electro and hip hop here and there over the years. And he has collaborated widely: with Cristian Vogel (as Blue Arsed Fly), JD Twitch (Doubleheart), Trash Records's Mat Consume (the awe-inspiring Shit And Cheap), Tobias Schmidt (Sugar Experiment Station) and Bill Youngman (uhhh, Youngman & Landstrumm). But ultimately his sound is entirely his own: trippy, reverberating, and all about the physical impact of sound.

Which is not to say that he's samey. His control of his machines is second to none, so although his tracks almost all revolve around crashing drums, a banging bassline and nagging riffs, every one has its own distinct tweaks, making it ear-wormy as hell and meaning his huge discography is overflowing with gems that are still eminently playable now whatever their age.

From his early days as part of the No Future collective along with Cristian Vogel, Si Begg and crew, through his 2000s output on Planet Mu, to his upcoming Modini project in collaboration with fellow Edinburgh producer Hostage - which is going to see the light of day on a couple of labels including the still on-fire Dixon Avenue Basement Jams - Landstrumm has not once fallen off. And here he is doing what he does best: tonking out the brain-crushing demolition jams.